PALESTINA VANDAAG

Zie in Today in Palestine! de dagelijkse berichten.

ALWAYS PALESTINE FOREVER 1880 - 1947

Een diashow over het leven van de Palestijnen voordat hun land hen werd afgenomen.

KOOP PALESTIJNSE PRODUCTEN!
Koop Palestijnse producten! Er zijn inmiddels meer aanbieders van Palestijnse producten.

Denk aan de inmiddels vertrouwde Rumi en Nabali olijfolie die via Canaan ons land binnenstroomt en die nu door www.propal.nl wordt verkocht. Ook za' atar , maftoul, olijven, zeep en nog veel meer zijn hier te vinden.


Een andere aanbieder met een veelzijdig assortiment is: naar ramallah 

Van harte aanbevolen om de Palestijnse boeren en de verwerkers van de producten economisch te steunen.

Propal steunt daarbij nog de musicians without borders.
I'M ON MY WAY

Een YouTube filmpje op een lied van Mahalia Jackson

 

SINGING PALESTINE

18 Palestijnse liedjes

AL HAQ: 'ISRAELI FORCES CONTINUOUSLY TURN A BLIND EYE TO SETTLER VIOLENCE'
Abu Pessoptimist over geweld van kolonisten en het Israelische leger tegen Palestijnen in bezet gebied, uit een rapport van Al Haq. Lees hier meer
VERGEET DE AANVAL OP GAZA NIET, 2008/9

Aldus Anja Meulenbelt op donderdag 27 december 2012.

Vier jaar geleden, begon een drie weken durende oorlog tegen Gaza, die meer dan 1400 mensen het leven kostte. Lees hier verder.

DE GEVOLGEN VAN DE APARTHEIDSMUUR
Een YouTubefilm van Sonia Karkar
BDS FREE PALESTINE RAP SONG
BDS Free Palestine Rap Song

Kijk en luister naar de rap song op de blog van Youth Against Normalization

 

 

 

BDS-BERICHTEN NEDERLANDS PALESTINA KOMITEE

Londenaren verstoren optreden Israel Philharmonic Orchestra

03/09/2011
Was de Britse uitnodiging aan het Israel Philharmonic Orchestra om te spelen tijdens de Proms niet een voorbeeld van 'rücksichstlos" gedrag, zoals beschreven door de Dichter des Vaderlands Ramsey Nasr? In het libretto "Het hemelse leven" dat Ramsey Nasr schreef voor de 4e symfonie van Mahler beschrijft hij hoe dirigent Mengelberg voor en tijdens de Tweede Wereldoorlog de symfonieën van Mahler bleef opvoeren, in Duitsland en ook in Nederland onder de bezetting.

Mengelberg:

 

"Ik ben een kunstenaar

en een kunstenaar moet zich niet

bezighouden met politiek

kunst staat boven alle partijen

zij is evenals de zon geschapen

om alle rassen te beschijnen"

 


 

 

 Ramsey Nasr


Na de oorlog werd Mengelberg "schuldig bevonden aan rücksichtslos dirigeren. Aan het voortzetten van schoonheid in de jaren des doods".  Hij keerde niet meer terug naar Nederland.

 

 

(Citaten uit: S. Vestdijk Over Gustav Mahler. Voorafgegaan door 'Het hemelse leven" van Ramsey Nasr")

 

--------------------------

 

Protest tegen optreden Israel Philharmonic Orchestra, BBC staakt uitzending

Zie het bericht op de website vcan de BBC "Potests disrupt Proms Concert by Israel Philharmonic". Zie ook het bericht in The Guardian, met video-verslag, alsmede het bericht op Amazing Dutch.

 

Zie hieronder het persbericht opgesteld door de Britse activisten, met een alternatieve tekst voor Beethoven's "Ode aan de Vrede"

 


 


*PRESS RELEASE FROM BEETHOVIANS FOR BOYCOTTING ISRAEL*

*Friday 2nd September 2011*

*FOR IMMEDIATE RELEASE*

A new vocal ensemble, Beethovians for Boycotting Israel (BBI), gave its debut performance at a Prom concert at the Royal Albert Hall yesterday evening.

Their first piece was intricately interwoven with Webern's Passacaglia, played by guest artists the Israel Philharmonic Orchestra (IPO).

"We thought we'd liven up the Webern a bit" said Deborah Fink (soprano)."The performance of Beethoven's 9th Symphony at the previous night's Prom was so exciting that we decided to treat the audience to our own version of the Ode to Joy".

The lyrics of the BBI's "Ode to Boycott" have an unmistakeably Beethovian ring:

Israel, end your occupation:
There's no peace on stolen land.
We'll sing out for liberation
'till you hear and understand.

Ethnic cleansing and apartheid
Should belong to history.
Human rights cannot be silenced:
Palestine will soon be free.

A performance of the piece, recorded earlier by the BBI Chamber Choir, can be
heard here:



Sue Blackwell (alto), who penned the alternative lyrics, said: "We think Ludwig would have approved.He was known to be a bit of a subversive who had no time for conventions, and he admired the French Revolution with its themes of 'Liberty, Equality, Fraternity'. Sadly, Israel represents the exact opposite of those ideals."

During the second piece, Bruch's Violin Concerto, and in Albėniz's "Iberia" after the interval, BBI duos and trios took part in the Proms charitable tradition of synchronised slogan-shouting, including "THE SIEGE OF GAZA - IS OUT OF TUNE - WITH INTERNATIONAL LAW" and "THE IPO - ARE INSTRUMENTAL - IN AN ILLEGAL OCCUPATION".

The BBI recital was somewhat curtailed on this occasion due to its members being removed by the Albert Hall security staff, so that they had to continue outside. However, they are intending to build on their Proms success and are now looking for a suitable venue for their next performance.

[ ends ]

*Quotations:*

Naomi Wimborne-Idrissi (soprano) of Jews for Boycotting Israeli Goods, who was one of the choral performers, said: "All this precious talkabout the purity of the music ignores the toxic nature of Israel's suppression of the Palestinian people."

Willem Meijs (tenor, aged 70) said: "As someone steeped in classical music from an early age, and a frequent visitor to the Proms since the fifties, I was very hesitant about disrupting a concert in such a hallowed venue. However, I thought inviting the Israel Philharmonic Orchestra was a provocation in its own right.
So I felt voicing a peaceful protest during their concert would be nothing compared to the bombing of innocent civilians and the slow but steady genocide inflicted on the Palestinians by the state of Israel, of which this orchestra claims to be a cultural ambassador."

Aharon Shabtai, Israel’s greatest living poet, wrote recently:

‘I do not believe that a State that maintains an occupation, committing on a daily basis crimes against civilians, deserves to be invited to any kind of cultural event. That is, it is anti-cultural; it is a barbarian act masked as culture in the most cynical way. It manifests support for Israel, and ... that sustains the occupation.’

*Notes for editors:

1. An open letter was sent to the Proms organisers on July 18th by PACBI, the Palestinian Campaign for Academic and Cultural Boycott of Israel.PACBI referred to "the IPO's complicity in whitewashing Israel's persistent violations of international law and human rights", mentioning specifically the IPO's services to the Israeli army dating back to the ethnic cleansing of the Nakba in 1948 and the occupations of 1967, and continuing up to the present day: "the IPO proudly announces its partnership with the army under a scheme whereby special concerts for Israeli soldiers are organized at their army outposts".On behalf of the leading Palestinian musical and cultural organisations, PACBI called on the BBC to withdraw its invitation to the IPO.http://www.pacbi.org/

 

2. The British Committee for the Universities of Palestine, BRICUP, also wrote to the BBC calling on it to cancel the invitation.http://www.bricup.org.uk
 
3. Unknown to the Proms organisers, the protesters had bought over 40 tickets in a variety of locations in the Royal Albert Hall, including boxes. A group of fifteen were seated in the choir. During the Webern piece the "choir" stood up with letters spelling out "FREE PALESTINE" and sang the "Ode to Boycott" repeatedly until they were removed. When a further group of protesters shouted slogans as the Bruch piece was about to begin, the BBC suspended their live transmission on Radio 3. The BBC attempted to recommence after the interval, but
further groups of protesters shouted slogans at the start of the Albėniz piece. At this point the BBC stopped live transmission for the rest of the evening. This is believed to be the first occasion when transmission of a Prom has been disrupted by protesters.

4.  All the protesters left peacefully when requested to do so by security.There       were no arrests. Some of the protesters were assaulted by members of the audience, but they did not retaliate.
 

5.  Footage of the demonstration and pro-Israel counter-demonstration outside the Hall can be seen here:

 


(courtesy of Seymour Alexander)

6. For further information, contact: 
      Sue Blackwell 0792 995 3893
Naomi Wimborne-Idrissi 0775 902 4659


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